The Trump administration has ushered in such chaos in our country, it’s hard to know what to bash first. Trump has pretty much confirmed that he is incompetent, as well as cold-blooded. I’m still tripping off the fact he said “good luck” literally with his thumbs up, regarding the tragedy of Hurricane Harvey. He has also used it as an opportunity to peddle his wares.
So, talking about colorism can seem out-of-place, even insignificant. However, it actually connects to the bigger issue facing our nation. The resurgence of white supremacy rhetoric, a hostility that Trump has not tried to squash. It highlights the importance of tackling the problem of colorism. Black folks need to get hardcore about calling out folks who engage in this behavior. Their antics contribute to the overall oppression of the Black community.
Those who espouse colorstruck comments are no different from white supremacists. Hell, they are white supremacists. When you position lighter-skinned folks as better, more beautiful, more worthy…essentially you are upholding anti-blackness.
Colorism generally tends to be aimed at darker-skinned Black women. Probably, because women’s status in an imperialist, white supremacist, capitalist patriarchy, is based on attractiveness. Black women, in particular are valued more if their looks align closer to white standards of beauty. This summer quite a few folks have shown who they are. Folks like Gilbert Arenas, Kodak Black, and Amber Rose have made it clear that they are white supremacists.
Arenas’s colorist attitude has been especially disturbing. He’s fixated on actress, Lupita Nyong’o. He has attacked her several times in the media. Arenas’s public degradation of Nyong’o skin tone speaks to an alarming display of misogynoir.
Arenas married and divorced a light-skinned woman of color. He has treated her like crap via social media. That is what I find interesting about men like Arenas. They trash darker-skinned Black women, but mistreat their trophy light women. There is obviously something lacking within themselves. They have a hatred for all women, but they zero in on darker-skinned Black women. Probably because folks recognize dark Black women are the least protected in our society. They know they can humiliate us with little recourse.
I didn’t even know what a Kodak Black was, until he made headlines for disparaging darker-skinned Black women. The rapper has been able to elicit some sympathy from folks. Besides, emphasizing his disgust for dark Black women he shared about disliking his skin tone. Folks have argued that explains his contempt for darker-skinned Black women. Meh. If Black felt such pain about what he has gone through as a darker person, why would he then turn around and inflict that same pain on people he doesn’t even know. These people insist on making HUGE public announcements about why they loathe dark-skinned Black women. We’re out here minding our business, when these fools come with the nonsense. Getting loud, telling us how much they dislike us. Okay, well f*ck you too.
Amber Rose expressed sadness for Black, but it wasn’t long before she was making her own insulting comments about dark-skinned Black women. Albeit, she was a bit subtler about it.
A week later, I’m still staring off into space trying to process Prince’s death. As a proud Gen-Xer, Prince’s music was an integral part of my childhood. The iconic singer’s album “Purple Rain” came out in 1984, right as I was preparing for middle school. Even as a kid, I recognized the magnetism of his music, if I didn’t understand it completely (or catch onto all the sexy double entendres that Prince was notorious for).
Since his passing, there have been numerous articles/tributes honoring the singer. One article that stood out to me looked at Prince’s relationship with women entertainers. Prince seemed to have a genuine respect and admiration for talented women. This is not to say he was perfect. He did tend to engage in colorism in the women he choose to promote and was said not to be the greatest guy to be in a professional (or intimate) relationship with, but overall he did go out of his way to highlight exceptional women.
One person he is credited with giving shine to is Misty Copeland, the first black woman ballerina to be a principal dancer in the American Ballet Theater in over 75 years.
How Prince Gave Ballet Star Misty Copeland Her Big Break http://www.sfgate.com/entertainment/the-wrap/article/How-Prince-Gave-Ballet-Star-Misty-Copeland-Her-7294782.php
The popularity of Copeland has created an increased interest in black female ballerinas. Copeland’s journey has been particularly inspiring to little black girls who rarely see themselves reflected in the world of ballet. The organization Brown Girls Do Ballet goal is to provide space for black girl ballerinas and other girls of color.
“Brown Girls Do Ballet® is a start-up organization dedicated to promoting diversity in ballet programs through various media platforms, training resources, and an exclusive network in the world of ballet. The mission of Brown Girls Do Ballet® is to help increase participation of underrepresented minority populations in ballet programs through organizing and arranging ballet performances and providing resources and scholarships to assist young girls in their ballet development and training.” http://www.browngirlsdoballet.com/
If you scroll the website, the images of all the brown girls in their poses/outfits is beautiful and touching. Almost makes me wish I was a little girl again. Never mind the fact that I have two left feet 🙂
See Prince what you started…Rest in Peace.
One of my favorite girl groups is En Vogue. They were the quintessential 90’s girl group with their beautiful harmonies, sleek fashions, and attractive but attainable looks.
Rowland, one of the key members of Destiny’s Child, hopes to find the next generation’s “it” girl group.
The first episode was interesting, if not tedious. You know the cliche tryouts, backstories, and repeat singers from other reality shows who are still trying to catch a break.
However, Rowland brings charm and cuteness to the show, so it’s worth tuning in. She also has a vision for the group which is appealing. I had to smile when she said “give me my chocolate” when looking over photos for potential group members. Rowland recently talked about the importance of “chocolate” black women in the music industry.
One of my pet peeves with shows like this, is that so much effort is put into finding people, but often the groups go nowhere.
Sometimes it’s because they really aren’t all that great to begin with, but a lot of the times folks are extremely talented but not properly promoted.
I hope Kelly’s group actually make it. Especially since she does seem to want to expand the images of black women in music. This is needed as black women singers have become pigeonholed if they aren’t dipped in the Rihanna or Beyonce prototype. It’s why phenomenal singers like Jazmine Sullivan, Fantasia, and others have struggled so.
10 years ago, I went natural.
I decided I was sick of having to get up early on Saturday mornings for hair appointments and sitting for hours for a style that lasted only a couple of weeks.
I also wanted to give my hair a break from chemicals.
Sometimes I wear braids or curly wigs when I want a fuller/longer look, but I keep my own hair happily kinky.
Like most black women, I went through a ton of products after going natural. Eventually, I started using SheaMoisture. The products are pricey, but have been great for my hair.
Recently, the company aired the commercial “SheaMoisture: Break the Wall.” I had to laugh when I saw it, because the commercial looks at what black women often talk about..our small “corner” of hair products in stores.
Some folks have found the ad patronizing. Poor black women have to go to the ethic aisle, as if there is something wrong with that. And/or think it’s just a way to attract mainstream (white women’s) dollars. White women won’t feel “scared” to go to the ethnic aisle if the products are in the regular “beauty” aisle.
What do you think?
Last year, black folks were concerned when it was announced Zoe Saldana was cast as the iconic, Nina Simone. Folks worst fears were confirmed when the trailer for “Nina” was released this past weekend.
A lot of the criticism has focused on Saldana basically engaging in black face to portray the high priestess of soul. It’s considered offensive because Simone’s music was dedicated to speaking out against the marginalization of black folks, specifically darker skinned black folks. The (hideous) makeup job makes a mockery of her life’s work.
My other issue with the trailer is the story line of an “out of control” Simone. There’s nothing wrong with acknowledging the mental health struggles of Simone. Honestly, I did not know this was something that affected her life, until recently. It’s not talked about when folks praise the legendary singer. I think mental health needs to be discussed more in the black community. Two groups I follow do an excellent job supporting black folks and mental health (No More Martyrs and Black Mental Health Alliance for Education & Consultation, Inc.) Artist Erykah Badu recently highlighted bi-polar/depression at a fashion show. So, folks are working hard to bring more awareness to this important issue.
However, I find it interesting the writer-director decided to focus solely on this aspect of Simone’s life. It was not surprising to learn that the writer-director is a white woman (Cynthia Mort). It makes sense why she used black face to represent Simone. White women tend not to relate to the beauty struggles black women, particularly darker skinned black women, face under white supremacy. It makes sense why Mort zeroed in on the “breakdown” of Simone. She could not see the brilliance of Simone without framing it in a stereotypical “crazy” black woman caricature. Simone was regarded as a child progeny. She had to deal with harsh racism while growing up. Imagine the pain navigating oppression when you are a gifted black child. I’m sure Simone’s mental health problems were exacerbated dealing with the daily abuse of white racism. But a film like that probably wouldn’t get the green light.
As far as Saldana, she should know better. Simone’s daughter has defended her in this role. I’m sure some of it is genuine support, but Simone’s daughter also has not found closure with her mother. She has talked about Simone being an abusive/neglectful parent. It’s probably hard for her to look at the bigger picture of why Saldana was not a good fit for this role. Celebrities like Queen Latifah and Paula Patton have stood up for Salanda, but they are doing so in case they ever want to look ridiculous on film. You know celebrity egos.
The problem is Saldana tends to flip flop on the subject of racism (colorblind rhetoric). And yes, she’s tends to say she is a “black Latina,” but often celebrates her Latina side/declare she is more than “just black.”This is not someone who needed to represent Nina Simone, a consistently proud black woman.
oooh la la…
My girl crushes Michonne and Patsey are on the cover of Uptown Magazine. Or maybe I should use their real names. Danai Gurira (“The Walking Dead”) and Lupita Nyong’o (“12 Years a Slave”) have made history. It’s the first time a Broadway play has had an all female cast/writer/director. Go head ladies!! What a great way to end the week. Black women doing big things.
Happy Friday 🙂
Last week, my baby and I came down with serious colds. Then I found myself mixing various concoctions trying to deal with a mysterious bump that popped out on my neck. Life is rough, y’all. But I’m back and in full effect. The little one is better too 🙂
One of the things I had planned to write about, was the video floating around of the Brazilian beauty queen who was stripped of her title for being “too dark.” I was reminded of her plight after reading about a dark skinned model whose luscious lips were subjected to racist attacks on MAC Cosmetic’s Instagram page.
Despite the increase of folks of color in America, the beauty standard hasn’t evolved all that much. Let your eyes gaze magazine covers while standing in the check-out line. It’s still mostly white women who are featured. Occasionally, a woman of color will be tossed on the front page for the “diversity” issue. And that’s only if they fit the white standard somehow (light, skinny, narrow nose, etc.).
As a darker black woman in her 40’s, I have had to fight “all my life” to love my skin tone/fuller lips. I find it fascinating that folks think it’s perfectly okay to treat darker people with such disdain. Anti-darkness is a sickness that needs to be treated in this country. We need to call out folks who engage in this behavior. All day, everyday. We don’t want a color caste system like Brazil. Brazil is a great example of what happens when white supremacy/internalized racism regarding beauty/social status is allowed to run amok.
It’s important we provide younger black folks with positives images of darker skin/”ethnic” looks. And be willing to challenge ourselves if/when black beauty standards also become stagnant.
A few days ago, actress Aunjanue Ellis was spotted at an awards show wearing a dress with the words:”TAKE IT DOWN MISSISSIPPI.”
The actress was protesting Mississippi’s state flag which includes an image of the confederate flag. I was introduced to the beautiful Ellis after watching the film “Book of Negroes.” A relative was always trying to get me to watch the movie, but I would decline. I think it’s important slavery movies are made. But I tend to be weary of most slave films as they tend to consist of the same narrative of the downtrodden/beaten slave. I thought for sure it was going to be another one of those depressing tales.
However, I was pleasantly surprised. The “Book of Negroes” tackled the issue of slavery from a unique perspective. The fictional movie is based on a novel based on a true account of black slaves called “Black Loyalists.”
“The Book of Negroes is a historical document which records names and descriptions of 3,000 Black Loyalists, the African-American slaves who escaped to the British lines during the American Revolution and were evacuated by the British by ship to points in Nova Scotia as freed men. ” https://en.wikipedia.org/wiki/Book_of_Negroes
Ellis plays Aminata Diallo, a young African girl stolen from her family. She is sold into slavery and experiences the horrors that fell upon many slave women (abuse, rape, and children sold away). The story takes a turn as Aminata, who was taught to “catch” babies or help birth babies by her mother, has adventure after adventure due to her talent. She is also admired for her intelligence and literacy abilities.
I enjoyed “Book of Negroes” because it brought a freshness to the slave story and features a courageous black heroine. What I also liked about the film, it showed what happened when some slaves were able to make it back to Africa. It was rather heartbreaking, as they were not returning as the same people and struggled to adjust. It was foreshadowing of the conflicts that often happens between African-Americans and Africans today.
While black folks look to our future, we definitely should never forget our past. There are so many people who had to suffer for us to live today.
Since black folks have been brought to this oppressive country, black women/girls have tried to find ways to create self-affirming spaces for themselves. The fascinating thing with a lot of white folks is they are never happy with what black folks do. When we try to be part of their groups/neighborhoods they go out of their way to be racist/make it uncomfortable for us. When we say “screw it” and do our own thing they get mad and start hollering “reverse racism.” This has been the case with the current controversy over #blackgirlmagic.
I don’t engage too much in the #blackgirlmagic hash tagging. I tend to see it as a positive movement for mostly younger black feminists. Hell, good for them for taking back their image/voice from a society that only wants to represent them in stereotypical ways.
There has been criticism that “black girl magic” borders the strong black woman trope. I can understand this to a certain extent as #blackgirlmagic celebrates highly accomplished black women/girls. This could possibly be overwhelming to those who feel it’s one more thing they have to live up to. However, I really don’t think that’s the intent. I think “black girl magic” has just been a fun way for younger black feminists to show love to black women/girls they think are fly. I see nothing wrong with that.