Category Archives: Stereotypes

New Year’s Giving #2

Sorry about that y’all. I’ve been a bit neglectful keeping the blog updated. Thank goodness the holidays are over. That was such a stressful time. HAPPY NEW YEAR!! (I hope you got your spoonful of black-eyed peas 🙂 Unfortunately, we are starting 2017 with the inauguration of a President who has made it clear he is anti-people of color/women (don’t be fooled by the celebrities of color who are kissing azz for their own benefit). I encompass both, so Trump will be no ally to me.

It’s more important than ever to support marginalize voices/communities, as these groups will not be able to look to the new administration to align with those who aren’t  white, male, and wealthy.

As someone who is a big lover of DIY (Do It Yourself) culture…I urge folks to financially/promote alternative forms of media/activism, as we will need these resources to keep ourselves safe and heard these next four years.

Here are a FEW to connect with:

Black Girl Dangerous: “Amplifying The Voices of Queer & Trans People of Color.”

Black Women’s Blue Print: “Black Women’s Blueprint envisions a world where women and girls of African descent are fully empowered and where gender, race and other disparities are erased.”

Feminist Wire: “The mission of The Feminist Wire is to provide socio-political and cultural critique of anti-feminist, racist, and imperialist politics pervasive in all forms and spaces of private and public lives of individuals globally.”

Brown Recluse Zine Distro:“Zine culture is not white culture. D.I.Y. culture is not white culture. Punk is not inherently white culture. So in the spirit of resistance, in the spirit of visibility and in the spirit of celebrating our cultures and intersectionality: Brown Recluse Zine Distro.”

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Holiday Giving #1

On Black Friday, instead of going shopping, I decided to make donations to groups whose work I support. It made me feel so good, that I’ve decided to continue giving in December in the honor of the holidays and all that jazz. It’s important, especially now, to help grassroots organizations as we prepare for battle next year when Trump takes office. It’s going to be a looong 2017.

This week I gave to SisterSong

“SisterSong is a Southern based, national membership organization; our purpose is to build an effective network of individuals and organizations to improve institutional policies and systems that impact the reproductive lives of marginalized communities.”

While mainstream/white feminism focuses on the issue of abortion, for women of color the struggle tends to be on the right to keep our children. From forced sterilization on reservations/lower-income communities of color to being able to indulge in alternative prenatal/post care (midwives, doulas, etc.)  Also, having equal access to birth control.

The organization asks for no more than $5 dollars in contributions. But more is always nice 🙂 Give if ya can!!

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The Congressional Caucus on Black Women and Girls

In the wake of the death of Prince and Beyoncé releasing a new album, The Congressional Caucus on Black Women and Girls made the news with little fanfare. The Congressional Caucus on Black Women and Girls is important as its creating space for the unique challenges faced by black women and girls. The caucus kicked off with a symposium last week.

“The symposium, titled “Barriers and Pathways to Success for Black Women and Girls,” will explore the current condition and opportunities to improve the state of African American women via testimony from academics, advocacy leaders, business executives, and media personalities. The convening will provide Members of Congress an opportunity to address organizations focused on Black women, other civic leaders and individuals who are committed to advancing the quality of life of Black women in America. Both events are open to the public.” https://watsoncoleman.house.gov/about/events/caucus-symposium-barriers-and-pathways-success-black-women-and-girls

The caucus plans to look at the issues of safety (domestic violence), opportunities for black women and girls (recognizing economic hardships), the criminal justice system (overpopulation of black women in prisons) health concerns (reproductive justice), and outreaching to black women voters (resisting voter suppression).  https://watsoncoleman.house.gov/congressional-caucus-black-women-and-girls

As our society pushes the idea of the “global citizen” the contributions of black women and girls will be greatly needed. Because America has been heavily invested in the oppression of black women and girls, it has hurt our society as a whole. We are missing out on the wonderful resources/skills/knowledge black women and girls can offer. The lived experiences of black women and girls can give us better insight into the effects of racism, sexism, and other isms as black women and girls are often on the margins of mainstream.

While folks toot the horn of America being number one, the truth is we are falling behind “third world” countries. High rates of illiteracy, poverty, and environmental injustices are destroying this country. Centering black women and girls voices may bring in different ideas and solutions to combating these problems.

Sexual Violence and Black Women/Girls #3

There are moments I’m on the verge of kicking Facebook to the curb. I feel it consumes too much of my time, sometimes. But then I come across an organization like A Long Walk Home, Inc., and it reminds me of the usefulness of social media. I probably would not be aware of the group otherwise.

Founded by sisters Scheherazade Tillet  and Salamishah Tillet (whom I recognized from Aishah Shahidah Simmons’s No! The Rape Documentary), “A Long Walk Home, Inc. is a non profit organization that uses art therapy, visual and performing arts to end violence against girls and women.”

The work of these women is amazing. Their approach to resisting sexual violence in the lives of black women/girls is important, as black women/girls often tend to turn artistic forms of expression to the tell their truths/life stories.

Support them if you can 🙂

 

Sexual Violence and Black Women/Girls #2

The WGN show “Underground” has thankfully not had too many cringe moments. The show follows seven runaway slaves (the Macon 7) hoping to get to freedom via Harriet Tubman’s famous underground railroad.

The show is interesting and seems committed to telling the harsh realities of black folks under slavery/white supremacy. I only have a couple of beefs with the show. The insistence on incorporating modern music into the story line. I don’t like being emotionally swayed by a heartwarming slave spiritual, only to have it rudely interrupted with a song about popping bottles. John Legend please stop looking to Django for musical inspiration.

My other issue with the show is the relationship between plantation owner Tom Macon (Reed Diamond) and house slave Ernestine (Amirah Vann).

I can’t remember which episode, either two or three, Ernestine is naked in the wine cellar calling to “master” Macon. He enters the room, strips down, and watches as Ernestine pours wine all over herself. They kiss passionately. In a later episode, Ernestine refuses to have “relations” with Macon in the house. He demands that she does, but apologizes like a kid after she gives him the evil eye.

I hate when shows/movies depict “relationships” between a slave owner and his slave lover as if they are equals. While it may seem Ernestine has some kind of power over Macon, in the end she is still his slave. When you are a slave, it is never consensual sex. You have no true say over your life, no matter how many “rewards”are heaped upon you.

10 Horrifying Facts about the Sexual Exploitation of Enslaved Black Women http://atlantablackstar.com/2014/11/05/10-horrifying-facts-about-the-sexual-exploitation-of-enslaved-black-women-you-may-not-know/

Ernestine touches on this one night as she drunkenly laments her situation. She actually envies the field slaves. “They are worked from sun up to sun down, but they are able to go home to loved ones/be with their own kind.” She says. “Here, I can never be. And after a while you start becoming like them (white folks).”

What is not talked enough in mainstream feminism’s fight against rape culture, is that the foundation of rape culture came out of slavery. Well, it started with the initial exploitation of Native/Indigenous women. But it was heightened with the legally sanctioned sexual abuse of black women.  Black women’s bodies were considered property to be done with as one wanted.

Slave women never had any say in the matter. It’s important to remember this.

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Photo from: nerdreactor.com

Sexual Violence and Black Women/Girls #1

Well, leave it to Erykah Badu to force my hand. She has a knack for keeping things off kilter.

I had planned to start my series on Sexual Assault Awareness Month (SAAM) which is in April…next week. But Badu’s recent comments regarding sexuality and young girls has left me shaking my head.

“Badu, who had a child with Andres 3000 in 1997, said that teenage girls should wear knee length skirts to protect them from the “natural” desires of men.“There was an article ruling that high school girls lower their skirts so male teachers are not distracted. I agreed because…” she began on Twitter.“I am aware that we live in a sex l-driven society. It is everyone’s, male and female’s, responsibility to protect young ladies…” http://www.independent.co.uk/news/people/erykah-badu-accused-of-victim-blaming-after-saying-girls-should-wear-knee-length-skirts-to-stop-a6980721.html

Badu’s views are alarming, particularly when thinking about how vulnerable young black girls are to sexual violence/abuse, especially from older men. Black girls are already marginalized/stereotyped in educational settings. Are we now going to shrug our collective shoulders when a male teacher is behaving inappropriately because they are of “childbearing age” and wearing short skirts?

“Sixty percent of black girls have experienced sexual abuse at the hands of black men before reaching the age of 18, according to an ongoing study conducted by Black Women’s Blueprint.” http://newsone.com/1680915/half-of-black-girls-sexually-assaulted/

Perhaps Badu should speak with some of her fellow black women celebrities. Vanessa Williams, Mary J. Blige, Missy Elliot, and Tisha Campbell have all shared about being victims of sexual abuse as young girls. Folks might argue that they were children, so it’s different. But there have been cases where girls as young as five years old have been blamed for their rapes. For appearing “sexually mature” for their age. That’s why Badu’s words are disturbing, because it then becomes a slippery slope of putting the onus of male self control on girls, no matter what their age is.

“Childhood sexual abuse has been correlated with higher levels of depression, guilt, shame, self-blame, eating disorders, somatic concerns, anxiety, dissociative patterns, repression, denial, sexual problems and relationship problems” (Hall & Hall, 2011 p.2).  http://www.apa.org/pi/about/newsletter/2014/11/child-sexual-abuse.aspx

Campbell recently made a video about the abuser who hurt her. Campbell, who is 47 years old, struggles to talk about the assault until this day. Sexual violence haunts black girls for the rest of their lives. We owe them more than telling them to wear longer skirts.

SheaMoisture: Break the Walls

10 years ago, I went natural.

I decided I was sick of having to get up early on Saturday mornings for hair appointments and sitting for hours for a style that lasted only a couple of weeks.

I also wanted to give my hair a break from chemicals.

Sometimes I wear braids or curly wigs when I want a fuller/longer look, but I keep my own hair happily kinky.

Like most black women, I went through a ton of products after going natural. Eventually, I started using SheaMoisture. The products are pricey, but have been great for my hair.

Recently, the company aired the commercial “SheaMoisture: Break the Wall.” I had to laugh when I saw it, because the commercial looks at what black women often talk about..our small “corner” of hair products in stores.

Some folks have found the ad patronizing. Poor black women have to go to the ethic aisle, as if there is something wrong with that. And/or think it’s just a way to attract mainstream (white women’s) dollars. White women won’t feel “scared” to go to the ethnic aisle if the products are in the regular “beauty” aisle.

What do you think?

Sisters In Law

“Sisters In Law” is a new reality show on WE tv that “follows a close-knit group of elite high-powered black female lawyers as they juggle their families, busy careers, and even more demanding social calendars.” http://www.wetv.com/shows/sisters-in-law

I was able to catch the first episode of “Sisters In Law” before it officially premises on March 24th. Well,  I can say, the women are fashionably fly. Otherwise, the show quickly spirals down to “Love and Hip Hop” dramatics of over the top arguments and “female rivalry.”  A bit disappointing for a show that’s supposed to be about high-powered black female lawyers. I always wonder don’t folks worry about ruining their names/brand by acting a mess on tv, but what do I know. I couldn’t relate to any of the women, although I guess I’m not supposed to as they are representing Houston, Texas’s black upper class. Future shows have the women discussing issues regarding police brutality and black lives matter so “Sisters In Law” may have some redeeming value in the end.

Oh well,  did I say the women looked fly?

 

Hidden Figures

March is Women’s History Month. It’s a great opportunity to promote the upcoming film “Hidden Figures.”

“Set against the backdrop of the Jim Crow South and the civil rights movement, the never-before-told true story of NASA’s African-American female mathematicians who played a crucial role in America’s space program—and whose contributions have been unheralded, until now…Segregated from their white counterparts by Jim Crow laws, these “colored computers,” as they were known, used slide rules, adding machines, and pencil and paper to support America’s fledgling aeronautics industry, and helped write the equations that would launch rockets, and astronauts, into space.” http://io9.gizmodo.com/janelle-monae-will-co-star-in-a-movie-about-the-women-b-1763634154

The movie will star Taraji P. Henson, Octavia Spencer, and singer Janelle Monáe.  I’m happy that Henson will get a chance to play a different black woman character. While I usually enjoy her work, she tends to be typecast. I was pleasantly surprised to hear about the addition of Monáe. She has a song on her album “Electric Lady” dedicated to Sally Ride, the first American woman to go into space. Obviously, she was made for this role.

Kevin Costner will portray the head of the space program, so there will probably be some white savior element to the film, but overall it appears the story will focus on these three amazing women. I hope the film is as promising as it sounds. “Hidden Figures” will be released in January 2017.

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Photo from: http://margotleeshetterly.com/hidden-figures-nasas-african-american-computers/

 

 

 

Nina

Last year, black folks were  concerned when it was announced Zoe Saldana was cast as the iconic, Nina Simone. Folks worst fears were confirmed when the trailer for “Nina” was released this past weekend.

A lot of the criticism has focused on Saldana basically engaging in black face to portray the high priestess of soul. It’s considered offensive because Simone’s music was dedicated to speaking out against the marginalization of black folks, specifically darker skinned black folks. The (hideous) makeup job makes a mockery of her life’s work.

My other issue with the trailer is the story line of an “out of control” Simone. There’s nothing wrong with acknowledging the mental health struggles of Simone. Honestly, I did not know this was something that affected her life, until recently. It’s not talked about when folks praise the legendary singer. I think mental health needs to be discussed more in the black community. Two groups I follow do an excellent job supporting black folks and mental health (No More Martyrs and Black Mental Health Alliance for Education & Consultation, Inc.)  Artist Erykah Badu recently highlighted bi-polar/depression at a fashion show. So, folks are working hard to bring more awareness to this important issue.

However, I find it interesting the writer-director decided to focus solely on this aspect of Simone’s life. It was not surprising to learn that the writer-director is a white woman (Cynthia Mort). It makes sense why she used black face to represent Simone. White women tend not to relate to the beauty struggles black women, particularly darker skinned black women, face under white supremacy. It makes sense why Mort zeroed in on the “breakdown” of Simone. She could not see the brilliance of Simone without framing it in a stereotypical “crazy” black woman caricature. Simone was regarded as a child progeny. She had to deal with harsh racism  while growing up. Imagine the pain navigating oppression when you are a gifted black child. I’m sure Simone’s mental health problems were exacerbated dealing with the daily abuse of white racism. But a film like that probably wouldn’t get the green light.

As far as Saldana, she should know better. Simone’s daughter has defended her in this role. I’m sure some of it is genuine support, but Simone’s daughter also has not found closure with her mother. She has talked about Simone being an abusive/neglectful parent.  It’s probably hard for her to look at the bigger picture of why Saldana was not a good fit for this role. Celebrities like Queen Latifah and Paula Patton have stood up for Salanda, but they are doing so in case they ever want to look ridiculous on film. You know celebrity egos.

The problem is Saldana tends to flip flop on the subject of racism (colorblind rhetoric). And yes, she’s tends to say she is a “black Latina,” but often celebrates her Latina side/declare she is more than “just black.”This is not someone who needed to represent Nina Simone, a consistently proud black woman.